“From a distance, the work reads as a radiant green field: immersive and atmospheric. It has the presence of a season, or a sustained musical chord.
As the viewer approaches, the field opens into thousands of individual marks: darker notes, small flashes of light. Repetition creates rhythm, but the rhythm is never mechanical. It thickens, loosens, accelerates and shifts.
His paintings can be read as visual scores. The dot functions as both unit and beat; colour behaves as tone; the surface becomes a field of resonance. To a viewer sensitive to synaesthesia, the works may appear highly musical: chromatic arrangements that suggest cadence, harmony, dissonance and tempo.
Some respond to season, some to colour, some to music, some to state of mind”